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In the history of American Blues music, what part did hollars and calls play in the development of the Blues? |
This is some random question my teacher asked me. I cannot find it anywhere! How many of you are there in this class, where is it, and who teaches it? Call & response was duplicated in many ways, one of which was "dueling guitar" solos. Lot's of Blues players would try to "cut" one another by seeing who could top the other guy's last lick (or passage) in a live performance. Call and response was prevelent in African music (and still is) from the dawn of singing itself. Thus, as slaves were brought to the colonies, so too did as much of their culture and herritage as they could manage to hold onto. If you need to listen to an example of this, listen to "Po' Lazarus" from the O Brother Where Art Thou? movie soundtrack CD. hollar and call developed first in the cotton fields, made its way into congregations in church to partcipate with the choir, and naturally was adopted into blues and early country music lol thomas |
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